“灿烂的灰烬”展览在重庆华人当代美术馆开幕

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2025年04月08日 09:48:11 来自重庆

灿烂的灰烬

当前的全球化时代正面临经济下行和地缘政治动荡的双重挑战与困境。根据经济学家路德维希·冯·米塞斯的概念来看，当某段历史正处于违背经济规律、个人又无力改变、且必然走向失败的阶段，可将其定义为“历史的垃圾时间"。当时代的烈焰吹来，身与心的灼痛或许将成为每个人都无法躲避的漫长煎熬。渺小的个人，在纷纷落下的灰烬中，我们该如何安放灵魂与肉身?

刘小枫在《沉重的肉身》中写到，"当人们感觉自己的生命若有若无时，当一个人觉得自己的生活变得破碎不堪时，当我们的生活想象遭到挫伤时，叙事让人重新找回自己的生命感觉，重返自己的生活想象的空间，甚至重新拾回被生活中的无常抹去的自我"。而在当代艺术实践里，非线性的视觉叙事同样编织了另一种时间和空间，形成由虚构凝练出的真实。

从15位来自韩国、中国、中国澳门的导演、艺术家的作品中(电影、文献、摄影、装置、绘画、数字艺术、行为)，可以看到肉身经验与公共经验的交织与撕裂，如：工业记忆、遗忘的风景、移民浪潮中的芸芸众生、斑斓的垃圾与玩偶、作为道场的身体，集体主义的隐喻等，我们可以从中去窥探全球化时代中个人的命运和选择。艺术创作成为他们与个人深渊或周旋、或抽离的途径，也成为他们度过垃圾时间的抵抗方式。作品中所呈现的观念和图像就是时代的缩影，也是对时代症候的视觉转译。从某种意义上来讲，这是时代的密码和咒语。在一个前路未卜剧烈变动的全球化时代，艺术家是时代的记录者、见证者与探索者，体现了审美与政治的双重博弈。面对浩瀚的时代，艺术家是可以选择“燃烧“自己，用心灵史的痕迹来回应时代的共振，渺若蜉蝣,灿如星辰......

张小涛 2025年1月21日于798

“灿烂的灰烬”展览开幕现场Glorious Ashes Exhibition Opening Scene

参展艺术家:

何崇岳(中国)、胡佳艺（中国）、孙芙蓉(中国)、彭玮雯(中国)、Lee Kyungho(韩国)、刘央（中国）、Kim Changkyum(韩国)、王苡沫(中国)、鄢雨(中国)、周雯静(中国)、朱岩(中国)、杨述（中国）、姚慕然（中国澳门）、张龙（中国）、章涵（中国）

策展人:张小涛

时间:20250315-20250930

地点:重庆华人当代美术馆

艺术家金昌谦致辞Artist Kim Changkyum delivers a speech

主持人虞俸茵发言Host Yu Fengyin speaks

孙芙蓉《蚕食系列-西服》面料、剪刀尺寸可变 2002-2005Sun FurongSilkworm Erosion Series -Suitfabric, scissorsdimensions variable2002-2005

《无尽》布面油画 200cmx340cm 张龙 2025Zhang Long,Endless, oil on canvas, 200 x 340 cm, 2025.5

Glorious Ashes

In today's era of globalization, the world faces a dual crisis: economic downturn and geopolitical turmoil. According to the concept of the economist Ludwig Heinrich Edler von Mises, when a period of history is violating economic principles, individuals are powerless to change it, and failure is inevitable, it can be defined as "trash time in history". When the flames of the era blow, the burning pain of body and mind may become an unavoidable, prolonged ordeal for everyone. As insignificant individuals amidst the falling ashes, how do we find a place for our bodies and our souls?

In "The Unbearable Body," Liu Xiaofeng wrote, "When people feel their lives are fleeting, when someone feels their life is becoming fragmented, when our life imagination is frustrated, narrative allows people to rediscover their sense of life, return to the space of their life imagination, and even retrieve the self-erased by life's impermanence." In contemporary artistic practice, nonlinear visual narratives weave an alternative sense of time and space, shaping a reality distilled through fiction.

From the works of 15 directors and artists from Korea, China, and Macau—spanning film, documentation, photography, installation, painting, digital art, and performance—we witness the intertwining and rupture of bodily and collective experiences. Industrial memory, forgotten landscapes, anonymous figures adrift in waves of migration, dazzling debris and discarded dolls, the body as a ritual site, metaphors of collectivism—through these fragments, we glimpse the fate and choices of individuals in an era of globalization. For these artists, creation becomes both a negotiation with and a detachment from personal abysses, a means of resisting the relentless passage of " trash time." The concepts and images presented in the works serve as a microcosm of the era, offering a visual translation of its symptoms. In a way, they are the codes and incantations of the present. In an era of radical transformation and uncertain futures, artists emerge as chroniclers, witnesses, and explorers, navigating the tension between aesthetics and politics. Confronted with the vast forces of history, they can choose to "burn" themselves, inscribing the traces of an inner history as an echo of the present. Fleeting as mayflies, luminous as the stars—this is their response.

Zhang Xiaotao, January 21, 2025, at 798.

彭玮雯《煤之痕·荒野 I》行为现场工装，煤炭，碳素粉，电碳制品废料2024 Peng Weiwen, Traces ofCoal . Wilderness !performance artworkwear, coal, carbon black powder, scrap from carbon-electrical products2024

王苡沫《看得见的与看不见的》装置、 2023-2024Wang Yimo, The Visible and the Invisible,installation, 2023-2024

王苡沫《看得见的与看不见的》装置、 2023-2024Wang Yimo, The Visible and the Invisible, installation,2023-2024

王苡沫《看得见的与看不见的》摄影尺寸可变 2023-2024Wang Yimo, The Visible and the Invisible, photography (dimensions variable), 2023 -2024

章涵《银色狂热》影像、图版(影像尺寸可变、图版140x100cm) 2025Zhang Han, Silver Fever, video installation, photographic plate (video: dimensions variable; prints: 140 X 100 cm), 2025

章涵《银色狂热》影像、图版(影像尺寸可变，图版140x100cm) 2025Zhang Han, Silver Fever, video installation, photographic plate (video: dimensions variable, prints: 140 X 100 cm), 2025